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Jamie Garwood

  • ‘Looney Tunes: The Day The Earth Blew Up’ Review
    February 12, 2026

    ‘Looney Tunes: The Day The Earth Blew Up’ Review

    Jamie Garwood
  • ‘Twinless (2025)’ Review – A fantastic central performance by Dylan O’Brien
    February 4, 2026

    ‘Twinless (2025)’ Review – A fantastic central performance by Dylan O’Brien

    Jamie Garwood
  • ‘All That’s Left Of You’ Review – A Multi-generational epic about a Palestinian Family
    February 4, 2026

    ‘All That’s Left Of You’ Review – A Multi-generational epic about a Palestinian Family

    Jamie Garwood
  • Rotterdam IFF: Hungry (2026) – ‘Cinematography of Joerg Burger is awe-inspiring!’
    February 3, 2026

    Rotterdam IFF: Hungry (2026) – ‘Cinematography of Joerg Burger is awe-inspiring!’

    Jamie Garwood
  • Kangaroo – A fish out of water familiar storyline (Review)
    January 29, 2026

    Kangaroo – A fish out of water familiar storyline (Review)

    Jamie Garwood
  • ‘Only Two Can Play’ & ‘Carlton Browne of the F.O.’ – Peter Sellers Double Bill (Review)
    January 22, 2026

    ‘Only Two Can Play’ & ‘Carlton Browne of the F.O.’ – Peter Sellers Double Bill (Review)

    Jamie Garwood
  • The Revenge Club (Series review)
    December 13, 2025

    The Revenge Club (Series review)

    Jamie Garwood
  • The House of Mirth – Gillian Anderson’s performance is luminary (Blu-Ray restoration)
    November 25, 2025

    The House of Mirth – Gillian Anderson’s performance is luminary (Blu-Ray restoration)

    Jamie Garwood
  • ‘Valley of the Shadow of Death’ – The film gets lost in its own intentions (Review)
    November 14, 2025

    ‘Valley of the Shadow of Death’ – The film gets lost in its own intentions (Review)

    Jamie Garwood
  • ‘Park Avenue’ – Fiona Shaw’s performance is one of immense tenderness (Review)
    November 14, 2025

    ‘Park Avenue’ – Fiona Shaw’s performance is one of immense tenderness (Review)

    Jamie Garwood
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